In some ways it seems almost pointless to write this post; what could I possibly write about Robert Anson Heinlein, good or bad, that hasn't been written a thousand times before? Heinlein isn't, like Doc Smith, a forgotten legend; nor is he, like Schmitz, a man who failed to quite get the fame he might have deserved. He is, instead, a titan of the field, one of the few names that dominated the genre for multiple decades and whose fame at least sometimes strayed well outside of the limits of that genre. Reams upon reams have [ Continue reading... ]